I tend to use a little of this just for general balance before doing a full mix in Nuendo. Then open this multitrack movie in Nuendo. It imports the movie into a video lane & also drops each 'timeline' into separate audio lanes. Master and bounce back out as a stereo file into the relevant Resolve media dir at whichever LUFS required. Duplicate the timeline and drop in the new audio master. Works perfectly and without any AAF fuss. I can also keep Resolve and Nuendo open together. This also means that if I need to tweak that stereo master for any reason, Nuendo can easily bounce again over the top of the same master if required, Resolve then updates the new mix in the same Timeline. Works for me.Īnyway in the professional field, you don't work alone, so it's quite normal that after editing someone else do the sound editing and mixing in pro tools.
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